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Free for Commercial Use

Sans Contrasted Uhji 2 is a regular weight, normal width, very high contrast, upright, normal x-height font visually similar to 'Alonzo' by Fenotype (names referenced only for comparison).

Keywords: headlines, editorial, branding, magazine, posters, fashion, luxury, dramatic, refined, display impact, editorial polish, signature detailing, luxury branding, hairline accents, razor thin, ink trap-like cuts, sharp terminals, high-contrast.


Free for commercial use
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This typeface uses a stark thick–thin stroke relationship, pairing bold vertical stems with extremely fine hairline joins and cross-strokes. The overall construction is upright and clean, with simplified, mostly serifless endings that read as sharp cuts rather than bracketed feet. Letterforms show occasional razor-thin diagonal slashes and internal cut-ins that add a distinctive, almost engraved texture without becoming ornamental. Counters are generally open and round where expected (notably in C/O), while several glyphs emphasize strong vertical rhythm and compact joins, creating a punchy black-and-white pattern in text.

Best suited for display settings such as magazine headlines, fashion or beauty branding, lookbooks, posters, and high-impact campaign graphics. It can also work for short subheads or pull quotes where its contrast and crisp detailing can be preserved, especially in print or high-resolution digital contexts.

The tone is polished and high-fashion, combining elegance with a slightly edgy, contemporary bite. Its extreme contrast and crisp terminals evoke editorial display typography—confident, premium, and attention-seeking—while the sparse, hairline details lend a delicate sophistication.

The design appears intended to deliver maximum visual contrast and sophistication with minimal overt ornament, using hairline strokes and strategic cut-ins to create a distinctive signature. It prioritizes striking headline presence and a refined editorial voice over neutral, everyday text utility.

At larger sizes the hairline connectors and slashed details become a defining signature, while at smaller sizes those ultra-fine strokes may visually soften or drop out depending on reproduction. Numerals and capitals maintain the same bold vertical rhythm, giving headings a structured, poster-like presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸