Sans Superellipse Nesa 7 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Pocky Block' by Arterfak Project, 'Memesique' by Egor Stremousov, 'JHC Genetic' by Jehoo Creative, and 'Bezamin Harison' by Muksal Creatives (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sports branding, industrial, retro, poster, sporty, tech, space-saving, high impact, brand voice, geometric consistency, display emphasis, rounded, blocky, condensed, modular, ink-trap.
A condensed, heavy display sans built from rounded-rectangle (superellipse) structures. Strokes are thick and largely monolinear, with generous corner rounding that keeps the dense black shapes feeling controlled rather than harsh. Counters tend to be narrow and slot-like, and several joins show small notches and carved apertures that read like subtle ink traps, adding texture to the otherwise solid forms. The rhythm is compact and vertical, with tall lowercase proportions and simplified, modular curves.
Best suited to short, high-impact settings such as headlines, posters, logo wordmarks, packaging titles, and sports or event graphics. It can work for brief callouts or labels where a compact footprint is useful, but it is visually heavy for long-form reading.
The tone is bold and assertive with a distinctly retro-industrial flavor. Its chunky, rounded geometry suggests mid-century poster lettering and scoreboard or athletic branding, while the cut-in details add a slightly technical, engineered attitude.
The design appears intended to deliver maximum presence in a narrow measure by combining condensed proportions with rounded-rectangular construction. The small cut-ins at joins and counters seem aimed at improving separation in tight spaces while giving the face a distinctive, machined personality.
At text sizes the tight apertures and dense color can reduce internal differentiation, but at display sizes those same traits create strong impact and a cohesive, architectural word shape. The squared, rounded terminals and consistent curvature make lines of type feel uniform and emphatic, especially in all caps.