Sans Other Tino 2 is a light, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, ui labels, wayfinding, packaging, techno, futuristic, architectural, mechanical, precise, sci‑fi styling, systematic geometry, tech branding, industrial clarity, angular, condensed, geometric, squared, wireframe.
A sharply angular, condensed sans with consistent monoline strokes and squared-off geometry. Curves are largely replaced by straight segments and chamfered corners, producing a faceted, octagonal feel in bowls and bends. Counters are narrow and rectangular, terminals end cleanly without rounding, and diagonals appear sparingly, used as crisp joins or clipped corners. The overall rhythm is tight and vertical, with compact widths, open interior spaces for its size, and a uniform, schematic construction across capitals, lowercase, and figures.
Best suited to short, prominent text where its geometric construction can read as intentional style: headlines, posters, tech branding, interface labels, and futuristic packaging. It can also work for signage-style applications when set with generous spacing and used at larger sizes to preserve its angular details.
The letterforms convey a futuristic, technical tone—more like plotted lines or fabricated signage than handwritten or traditional text. Its rigid geometry and clipped corners suggest precision, machinery, and digital interfaces, creating a cool, controlled voice that feels at home in sci‑fi and tech-forward settings.
The design appears intended to reinterpret a condensed sans through a strict, engineered geometry, prioritizing a distinctive sci‑fi/technical aesthetic over conventional warmth. Its consistent stroke logic and chamfered corners suggest a focus on system-like coherence and a modern, fabricated look.
Distinctive chamfers and squared bowls give many characters a modular, blueprint-like presence, while the narrow proportions emphasize height and make vertical strokes dominant. The sample text shows clear word shapes at display sizes, though the tight internal geometry and similar straight-sided forms can increase visual uniformity in longer passages.