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Free for Commercial Use

Inline Nari 10 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Dexa Pro' by Artegra, 'Geometria' by Brownfox, 'Sebino Soft' by Nine Font, 'NuOrder' by The Northern Block, and 'TT Commons™️ Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, packaging, merch, kids media, playful, handmade, grunge, cartoonish, punchy, expressiveness, diy texture, comedic impact, attention grabbing, hand drawn feel, rough, chunky, inky, irregular, textured.


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A chunky, hand-drawn display face with heavy, rounded-rectangle letterforms and deliberately uneven contours. Strokes look like they were painted or marker-filled, with frequent internal cut-outs and small voids that create a carved, distressed inline feel. Curves are blobby and slightly lumpy, corners are softened, and counters tend to be small and irregular, giving the alphabet a lively, imperfect rhythm. Width and sidebearings fluctuate from glyph to glyph, enhancing the handmade cadence across words and lines.

Best suited for short, high-impact text such as posters, splashy headlines, packaging callouts, stickers, and merchandise graphics. It can also work for playful editorial openers or event promotion where a handmade, textured display voice is desired, rather than long-form reading.

The overall tone is playful and mischievous, with a bold, comic energy that feels informal and human. Its rough texture and cut-out detailing add a rebellious, crafty character—more zine and poster than polished branding.

This design appears intended to deliver an expressive, hand-inked display look with built-in texture and internal carving, prioritizing personality and visual punch over uniformity. The irregular outlines and cut-outs suggest a deliberate effort to evoke DIY printmaking or marker lettering while staying bold and highly legible at display sizes.

The inline-like voids vary in size and placement, so texture becomes a key part of the color on the page. The numerals and capitals read especially well as shapes, while smaller sizes may amplify the distressed look as counters and cut-outs tighten.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸