Slab Square Very 5 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, signage, posters, headlines, packaging, technical, retro, modular, precise, futuristic, technical clarity, modular system, retro-future voice, display impact, square-serif, rounded corners, stencil-like, geometric, schematic.
A geometric, monoline design built from straight strokes and squared forms softened by small rounded corners. Terminals often finish in flat, slab-like ends, creating a structured, engineered rhythm. Curves are minimized and translated into squared bowls and rounded-rectangle counters (notably in C, O, and lowercase o/e), while diagonals appear clean and sharp in A, V, W, X, and Y. The lowercase shows compact, boxy constructions with tall, narrow stems and simple apertures, maintaining consistent stroke logic across letters and numerals.
Well-suited for interface labeling, wayfinding, and technical diagrams where a crisp, constructed look is desirable. It also works effectively for poster headlines and packaging that aims for a retro-tech or industrial voice, especially at display sizes where the squared counters and slab terminals become a defining detail.
The overall tone feels technical and systematized, with a subtle retro-digital flavor reminiscent of schematics, labeling, and early computer-era typography. Its crisp, modular shapes read as modernist and functional, projecting precision and restraint rather than warmth or ornament.
The design appears intended to translate serifed structure into a minimalist, square-built system: combining flat slab terminals with modular geometry for a clean, contemporary-industrial aesthetic. Consistent stroke behavior and simplified bowls suggest a focus on clarity and a distinctive technical personality.
Distinctive squared forms dominate: the O is a rounded rectangle, the G reads as a squared C with an internal bar, and several glyphs use small slab terminals that give a faintly industrial, sign-painting-meets-instrument-panel feel. Numerals follow the same logic, with angular, open shapes and squared turns that keep the set cohesive.