Serif Normal Olmaf 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Marselis Slab' by FontFont, 'Precious Serif' by G-Type, 'ITC Officina Serif' by ITC, 'MIR Next' and 'Mir' by Juliasys, 'Siseriff' by Linotype, 'Diaria Pro' by Mint Type, 'Breve Slab Title' by Monotype, and 'Cabrito Semi' by insigne (names referenced only for comparison).
Keywords: headlines, editorial, posters, packaging, branding, authoritative, traditional, sturdy, collegiate, impact, heritage, readability, authority, bracketed, ball terminals, rounded joins, softened, chunky.
A heavy, bracketed serif with broad, rounded forms and softly squared terminals that give the letters a carved, substantial feel. Strokes are consistently thick with minimal modulation, and the serifs are short-to-moderate with noticeable bracketing rather than sharp hairlines. Counters are relatively tight in rounded letters, while shoulders and bowls stay smooth and full, producing a dense, steady texture in text. Numerals share the same weight and footprint, with compact shapes and sturdy bases that maintain even color alongside capitals and lowercase.
Best suited to headlines, subheads, and short blocks of copy where a strong, classic voice is needed. It works well for editorial display, posters, identity systems, and packaging that benefits from a sturdy, heritage-leaning serif presence. In dense settings, its weight and tight counters suggest using moderate sizes and generous spacing for clarity.
The overall tone is confident and traditional, with a friendly softness from the rounded curves and bracketing. It evokes classic print authority—more robust and approachable than delicate—making it feel dependable, grounded, and slightly collegiate in spirit.
The design appears intended to deliver a conventional serif voice with extra mass and softened detailing, prioritizing impact and stability over delicacy. Its consistent weight, bracketed serifs, and compact internal spaces suggest a focus on assertive display typography that still feels rooted in familiar book and newspaper traditions.
Uppercase forms read solid and monumental, while the lowercase keeps a strong rhythm thanks to blunt terminals and compact apertures. The design favors bold silhouettes over fine detail, so it holds its character at larger sizes where the rounded shaping and bracket transitions are most apparent.