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Free for Commercial Use

Distressed Syju 11 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Blooms' by DearType, 'HD Colton' by HyperDeluxe, 'Otoiwo Grotesk' by Pepper Type, 'Autovia' by Santi Rey, and 'Cervino' by Typoforge Studio (names referenced only for comparison).

Keywords: posters, headlines, album art, packaging, stickers, grunge, diy, rugged, playful, rowdy, raw texture, print wear, high impact, handmade feel, rough-edged, inked, blotchy, blocky, handmade.


Free for commercial use
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A compact, heavy display face with blunt, mostly straight-sided forms and irregular, abraded contours. Strokes look inked-in and pressureless, with ragged edges and occasional interior nicks that create a worn-print texture rather than smooth geometry. Counters are relatively small and sometimes uneven, with simplified, sturdy shapes across both cases; curves (like C, O, S) are chunky and slightly squarish, while verticals and diagonals keep a cut, poster-like silhouette. Spacing feels tight and the overall color is dense, producing strong, high-impact word shapes.

Best suited for short, bold applications where texture is an asset: posters, punchy headlines, album/cover art, event graphics, and packaging that wants a raw print feel. It can also work for badges, labels, and social graphics where a rugged, stamped look helps the message stand out.

The texture and uneven edges give it a gritty, street-level energy—like rubber-stamp lettering or ink dragged across rough paper. It reads as informal and a bit rebellious, with a handmade immediacy that suits loud, attention-grabbing messaging.

The design appears intended to deliver maximum impact with a deliberately worn, imperfect surface—evoking rough printing, stamping, or distressed signage while staying legible and punchy in display settings.

The distressed detailing is consistent enough to feel intentional, but varied enough to keep a lively, imperfect rhythm across a line. At smaller sizes the roughness may merge into a darker mass, while at larger sizes the chipped edge character becomes a primary visual feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸