Print Eblul 7 is a light, very narrow, medium contrast, upright, very short x-height font.
Keywords: headlines, posters, packaging, greeting cards, children's books, playful, whimsical, casual, friendly, quirky, hand-drawn charm, casual voice, playful display, personal note, monoline, spindly, tall, loopy, airy.
A tall, spindly handwritten print with mostly monoline strokes and slightly wobbly contours that preserve a drawn-by-hand feel. Forms are narrow and vertically oriented, with generous ascenders/descenders and small lowercase bodies relative to the capitals. Terminals are often softly rounded, curves are open and springy, and straight strokes show subtle irregularities that create a lively rhythm. Spacing reads uneven in an intentional, natural way, reinforcing an informal, personal texture.
This font works best for short-to-medium display text where its hand-drawn character can be appreciated—headlines, posters, invitations, greeting cards, and playful packaging. It can also serve as an accent in editorial or social graphics, pairing well with a straightforward sans or serif for body copy. For long passages, it’s more effective in larger sizes or as intermittent callouts due to its delicate stroke weight and quirky rhythm.
The overall tone is lighthearted and approachable, with a whimsical, storybook-like charm. Its narrow, lanky proportions and loopy joins give it a curious, slightly eccentric personality that feels more like a quick pen sketch than polished signage. The effect is friendly and conversational, suited to content that benefits from warmth over strict formality.
The design appears intended to mimic neat but informal handwritten print—tall, narrow letters with gentle irregularities that emphasize personality and spontaneity. It prioritizes charm and expressive rhythm over strict typographic uniformity, aiming for a personable, crafted feel in display settings.
Capitals tend to be notably taller and more expressive than the lowercase, which makes mixed-case setting feel animated and headline-forward. Numerals and punctuation follow the same hand-drawn logic, with simple shapes and occasional asymmetry that keeps the texture human. At smaller sizes the thin strokes and tight interior spaces can start to feel delicate, while larger settings highlight the playful irregularities.