Cursive Ufreg 9 is a bold, narrow, high contrast, italic, short x-height font.
Keywords: posters, branding, packaging, sportswear, album covers, energetic, edgy, expressive, sporty, streetwise, impact, motion, signature, headline, attitude, brushy, slanted, angular, tapered, dynamic.
A fast, brush-pen script with a pronounced rightward slant and strong thick–thin modulation. Strokes taper to sharp points and clipped terminals, creating a lively, jagged rhythm rather than rounded, calligraphic softness. Letterforms are compact and forward-leaning with tight counters and brisk joins, while ascenders and descenders are long and blade-like, emphasizing speed and direction. The overall texture is dense and punchy, with slightly irregular stroke edges that read as hand-drawn rather than mechanically geometric.
Best suited to display applications such as posters, social graphics, product packaging, and branding moments that need a bold handwritten signature feel. It also works well for sports or streetwear-style identity elements, short slogans, and impactful pull quotes where the energetic slant and sharp brush texture can be appreciated.
The tone feels urgent and kinetic—more like a bold signature or marker stroke than formal handwriting. It carries a gritty, contemporary attitude that suggests motion, impact, and confidence, with an expressive swagger suited to attention-grabbing headlines.
Likely designed to mimic rapid brush lettering with an assertive, contemporary slant, prioritizing expressive movement and punch over quiet readability. The consistent tapered stroke logic across caps, lowercase, and numerals suggests an intention to provide a cohesive, headline-focused script for modern promotional typography.
Capitals have strong diagonal emphasis and simplified internal structure, helping them hold together at display sizes. Numerals follow the same tapered, slashed construction, keeping the set visually consistent for punchy dates, scores, or short numeric callouts. Because the stroke contrast and tight internal spaces are prominent, the face reads best when given room and size.