Sans Normal Ohlup 10 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'BR Cobane' by Brink, 'Sharp Sans' and 'Sharp Sans Display No. 1' by Monotype, 'Glence' by Nine Font, and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, friendly, confident, playful, modern, approachable, approachability, clarity, impact, modernity, simplicity, rounded, soft terminals, geometric, clean, sturdy.
A heavy, rounded sans with broadly circular bowls, smooth curves, and minimal stroke modulation. The geometry leans toward simple circles and ovals, with soft terminal shaping that keeps corners from feeling sharp even where strokes meet at angles. Counters are open and generous, and the overall spacing reads even and stable at display sizes. The lowercase is compact and sturdy, with single-storey forms where shown and a plain, vertical construction for stems and shoulders that maintains a consistent rhythm across words.
Best suited to headlines, posters, and brand marks where a strong, friendly voice is needed. The solid weight and open counters make it effective for packaging and signage, especially in short to medium bursts of text where clarity and personality are both important.
The overall tone is friendly and contemporary, combining a solid, dependable presence with a softened, approachable finish. Its rounded geometry gives it a slightly playful warmth while still feeling clear and organized, making it read as confident rather than quirky.
The design appears intended to deliver a modern geometric sans that feels warm and accessible without sacrificing clarity. By prioritizing round forms, soft terminals, and sturdy proportions, it aims for high-impact display typography that remains easy to read and versatile in contemporary branding.
The figures appear straightforward and legible with simple, modern silhouettes, and the capital set maintains a clean, geometric consistency. In the text sample, the bold color and rounded shapes hold together well in large lines, emphasizing headline impact over delicate detail.