Serif Normal Otmub 2 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Franklin-Antiqua' by Berthold (names referenced only for comparison).
Keywords: headlines, editorial, book covers, magazines, posters, classic, dramatic, refined, authoritative, editorial impact, classic revival, display authority, brand elegance, bracketed, ball terminals, oldstyle numerals, sculpted, crisp.
A tightly drawn serif with sharp, tapered serifs and pronounced thick–thin modulation. Stems and bowls are weighty, while joins and hairlines snap to fine points, creating a sculpted, high-contrast rhythm. Terminals often finish in small teardrops and ball forms (notably in lowercases like a, c, e, and the dot forms), and several letters show subtle calligraphic inflection in curves and diagonals. Proportions feel compact and sturdy, with rounded counters and a slightly condensed, punchy texture in text.
This face works especially well for editorial headlines, book and album covers, pull quotes, and magazine display typography where contrast and detail can be appreciated. It can also support short blocks of text in print-oriented layouts, though the boldness and delicate hairlines suggest it will shine most when given breathing room and sufficient size.
The overall tone is traditional and bookish, but with a theatrical edge from the strong contrast and pointed details. It reads as confident and formal, suited to settings where a sense of craft and authority is desired. The ball terminals add a touch of personality that keeps it from feeling purely austere.
The design appears intended as a contemporary take on a conventional serif for display and editorial use, balancing classical letterforms with crisp, modern finishing. Its strong modulation, bracketed serifs, and ball terminals aim to deliver a distinctive, upscale texture while remaining recognizably traditional.
In the samples, the font produces dense, headline-like color with clear word shapes and prominent serifs. Numerals appear oldstyle in style (with varying heights and extenders), reinforcing a literary, classical flavor. Round letters such as O and Q are expansive and smooth, while letters like S and g show expressive curves that stand out at larger sizes.