Print Mabih 2 is a regular weight, very narrow, low contrast, upright, short x-height font.
Keywords: kids, craft, packaging, posters, social graphics, playful, friendly, casual, handmade, quirky, handwritten feel, approachability, everyday notes, cheerful tone, simple legibility, rounded, monoline, bouncy, open forms, soft terminals.
A casual print handwriting style with monoline strokes and softly rounded terminals. Letterforms are upright with a slightly bouncy baseline and gentle irregularities that feel naturally drawn rather than mechanically constructed. Curves are open and simplified, counters are generous, and joins remain unconnected, keeping words airy and easy to scan. Proportions are compact, with relatively small lowercase bodies and tall ascenders/descenders; several glyphs show subtle, hand-made asymmetry (notably in bowls and diagonals). Numerals follow the same simple, rounded construction, with clear shapes and minimal ornament.
Well-suited to kid-focused materials, crafts, stationery, and friendly packaging where an informal voice is desired. It can work for short headlines, captions, labels, and social graphics, especially when you want something more personal than a standard sans without becoming fully cursive.
The font conveys an approachable, lighthearted tone—like neat marker or felt-tip lettering used for personal notes. Its mild quirks and rounded shapes read as warm and informal, balancing legibility with a distinctly handmade character.
The design appears intended to mimic tidy, everyday hand printing with a consistent marker-like stroke, prioritizing warmth and readability over strict typographic uniformity. Its simplified shapes and rounded finishing suggest a goal of easy, cheerful communication across casual display and supporting text.
Rhythm is even but intentionally imperfect: stroke endings vary slightly, and some letters (such as a, g, and y) have simplified handwritten structures that add personality. Uppercase forms remain straightforward and readable, while lowercase brings most of the charm through soft curves and small idiosyncrasies.