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Serif Other Ummo 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Evanston Alehouse' by Kimmy Design, 'Gemsbuck Pro' by Studio Fat Cat, and 'Radley' by Variatype (names referenced only for comparison).

Keywords: posters, headlines, branding, signage, sportswear, industrial, gothic, sports, western, poster, impact, machined style, uniform branding, display emphasis, chamfered, angular, beveled, octagonal, high-contrast edges.


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This typeface is built from strong, monoline strokes with sharply cut terminals and consistent chamfered corners that give many forms an octagonal, machined silhouette. Uppercase letters are tall and blocky with squared counters and frequent diagonal clipping at joins and outer corners, producing a crisp, faceted rhythm. The lowercase follows the same constructed logic, with sturdy stems, compact bowls, and simplified curves that read as geometric blocks rather than pen-drawn forms. Numerals are similarly rigid and emphatic, with squared apertures and clipped corners that keep the set visually uniform.

It suits display applications such as posters, headlines, logos, and event graphics where a sturdy, architectural voice is desired. The angular construction also fits wayfinding and merchandise graphics (team, club, or workwear-style branding) that benefit from a bold, engineered look.

The overall tone is assertive and utilitarian, evoking signage, uniforms, and other contexts where impact and toughness matter. Its faceted construction and hard edges add a subtle gothic and western flavor without leaning into ornate detailing, keeping the mood more industrial than historical.

The design appears intended to translate classic serif cues into a more mechanical, stencil-like geometry, prioritizing impact and uniformity over calligraphic nuance. The repeated chamfering suggests a deliberate effort to create a signature, hard-edged identity that remains consistent across the full alphanumeric set.

Texture is dense and high-impact, with minimal modulation and a strong emphasis on verticals and squared geometry. The distinctive corner clipping creates a consistent decorative motif across caps, lowercase, and figures, helping the font hold together well at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸