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Free for Commercial Use

Sans Superellipse Abmer 4 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'FF Real Head' and 'FF Real Text' by FontFont, 'Linotype Gothic' by Linotype, and 'TS Franklin Gothic' and 'TS Plymouth' by TypeShop Collection (names referenced only for comparison).

Keywords: ui text, branding, signage, editorial, presentations, modern, neutral, clean, friendly, corporate, versatility, legibility, neutrality, modernity, monoline, rounded, geometric, open counters, crisp terminals.


Free for commercial use
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A clean monoline sans with gently rounded geometry and squared-off curves that read as superelliptical rather than purely circular. Strokes maintain an even thickness throughout, with smooth joins and tidy, mostly horizontal/vertical construction. Round letters like C, O, and S show softened corners and broad, open counters, while straight-sided forms keep a stable, gridlike rhythm. Numerals are straightforward and highly legible, matching the same even stroke logic and open interior spaces.

This font suits interface typography, product and corporate branding, and general-purpose communication where straightforward legibility is needed. Its even stroke and open counters make it effective for headings and body copy, and the stable proportions work well for wayfinding and informational signage.

The overall tone is contemporary and composed, balancing a rational, geometric structure with subtle softness from the rounded shaping. It feels approachable without becoming playful, and communicates clarity and efficiency in a way that suits modern digital and brand environments.

The design appears intended as a versatile, all-purpose sans that prioritizes clarity and consistency while introducing a mild softness through rounded, superelliptical curves. It aims to look current and dependable across both display sizes and longer reading contexts.

Spacing appears measured and consistent, helping the text color stay even in paragraph settings. Uppercase forms feel slightly more geometric and architectural, while lowercase maintains clarity with simple, familiar shapes and minimal stylistic quirks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸