Slab Unbracketed Omke 10 is a very bold, very narrow, low contrast, upright, normal x-height font.
Keywords: posters, headlines, signage, branding, packaging, western, vintage, showbill, bold, attention grabbing, space saving, retro styling, signage clarity, condensed, slab serif, unbracketed, squared serifs, blocky terminals.
A condensed, heavy slab-serif design with unbracketed, square-cut serifs and a distinctly vertical, poster-like stance. Strokes stay largely monolinear, with strong rectangular joins and flat terminals that create a sturdy, mechanical rhythm. Many letters show small incised notches and wedge-like cut-ins at key junctions (notably in capitals), adding a decorative, woodtype-inspired texture without introducing true contrast. Lowercase forms are compact and narrow with a tight internal aperture structure; counters are small and oval-to-rectangular, and the overall set reads as tall, dense, and emphatic.
Best suited to display settings where impact and character matter most, such as posters, large headlines, storefront or event signage, and branded marks. It can also work on packaging and labels that aim for a vintage or Western atmosphere, especially when set with generous tracking or ample line spacing to keep dense forms from feeling crowded.
The font projects an Old West and turn-of-the-century display tone—confident, attention-grabbing, and slightly theatrical. Its condensed heft and carved details evoke saloon signage, circus posters, and vintage advertising, balancing ruggedness with a crafted, ornamental feel.
The design appears intended as a bold, condensed display face that channels slab-serif woodtype traditions while adding crisp, carved-looking details for extra personality and separation at large sizes. Its narrow footprint suggests an emphasis on fitting strong headlines into limited horizontal space without losing presence.
The alphabet shows a consistent system of square serifs and crisp interior cut-ins that help differentiate similar condensed shapes (for example, forms like I/J and C/G). Numerals follow the same tall, compressed construction, designed to hold visual weight in headings and set pieces.