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Sans Normal Afkop 5 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'LC Trinidad' by Compañía Tipográfica de Chile, 'Grosse Pointe Metro' by GroupType, and 'Core Sans B' and 'Core Sans BR' by S-Core (names referenced only for comparison).

Keywords: branding, headlines, posters, ui labels, packaging, modern, dynamic, clean, friendly, sporty, add motion, modernize tone, improve clarity, stay versatile, oblique, rounded, open apertures, geometric, crisp terminals.


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This typeface is a slanted sans with smooth, rounded construction and a steady, low-contrast stroke. Letterforms lean consistently, with circular and elliptical bowls that stay clean and open, and terminals that are mostly straight-cut for a crisp finish. Uppercase shapes feel compact and streamlined, while lowercase maintains clear counters and uncomplicated joins; overall spacing reads even and controlled, supporting a quick, forward rhythm across words and lines. Numerals follow the same oblique, rounded logic, with simple forms and clear differentiation at a glance.

It performs well in branding and campaign work where a modern, energetic sans is needed, particularly for headlines, posters, and short bursts of copy. The consistent slant and open shapes also make it suitable for UI labels, product packaging, and editorial display settings where a clean, contemporary voice is desired.

The overall tone is contemporary and energetic, with an athletic, forward-leaning posture that suggests motion. Its rounded geometry keeps the voice approachable rather than technical, making it feel friendly and confident without becoming playful or decorative.

The design appears intended to deliver a modern sans voice with built-in momentum via a consistent oblique angle, while preserving everyday clarity through rounded forms and generous counters. It balances a geometric feel with approachable softness to remain versatile in display and general-purpose communication.

In the text sample, the italic slant and smooth curves create a strong directional flow, especially in sequences of rounded letters (o, e, c) and diagonals (v, w, x). The design maintains clarity in mixed-case settings, and punctuation and dots appear straightforward and unobtrusive, supporting continuous reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸