Sans Superellipse Enrig 1 is a regular weight, very wide, monoline, italic, normal x-height font.
Keywords: headlines, branding, logos, posters, sports graphics, futuristic, technical, sleek, sporty, clean, speed emphasis, modern branding, tech aesthetic, display impact, rounded corners, squared curves, aerodynamic, extended, open counters.
A rounded, squared-off italic sans with a consistent stroke and soft corner radii that make curves resolve into superellipse-like rectangles. The letterforms are notably extended with generous horizontal emphasis, producing a low, fast silhouette and wide internal spaces. Terminals are clean and mostly blunt, with occasional angled cuts that reinforce forward motion. Curves stay controlled and geometric (especially in C, O, Q, and the bowls), while diagonals and joins are kept crisp for a streamlined, engineered rhythm. Numerals follow the same rounded-rectangle logic, with open, simplified shapes and a cohesive slant across the set.
Best suited to large-scale display use where its wide, italic stance can create momentum—such as headlines, posters, product branding, and logo wordmarks. It also fits UI or tech-themed graphics when used for short labels and feature callouts, where the geometric rounding reads clean and contemporary.
The overall tone feels modern and speed-oriented, with a futuristic, technical character reminiscent of automotive, aerospace, or sci‑fi interface typography. Its rounded geometry keeps it friendly and approachable while still reading as precise and performance-driven.
The font appears designed to communicate speed and modernity through extended proportions, a forward slant, and rounded-rectangular construction. Its intention seems to be a distinctive, high-impact display sans that stays clean and cohesive across letters and numerals.
The design relies on broad proportions and open apertures, which helps maintain clarity despite the strong slant and extended width. The consistent rounding across corners and bowls creates a unified texture in both uppercase and lowercase, and the forms keep a deliberate, modular feel rather than handwritten or humanist variation.