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Free for Commercial Use

Stencil Rygi 4 is a regular weight, normal width, high contrast, italic, normal x-height font.

Keywords: headlines, branding, posters, magazine covers, logotypes, fashion, editorial, luxurious, dramatic, modern classic, stenciled elegance, editorial impact, luxury branding, display drama, didone, hairline serifs, razor sharp, chiseled, angled stress.


Free for commercial use
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A high-contrast italic serif with sharply tapered hairlines and broad, wedge-like stems that create a distinctly calligraphic rhythm. The forms lean decisively with narrow apertures and crisp terminals, while many strokes are intentionally interrupted by clean, consistent gaps that read as stencil bridges. Uppercase proportions feel elegant and slightly condensed, with sculpted curves and pointed joins; lowercase maintains a smooth, flowing ductus with restrained, knife-edge serifs and strong thick–thin modulation. Numerals follow the same refined contrast and slanted posture, with crisp cuts and open counters where the stencil breaks occur.

Best suited for display settings such as magazine headlines, fashion or beauty campaigns, premium packaging, posters, and brand marks where the high contrast and stencil detailing can be appreciated. It can also work for short pull quotes or title treatments, but the fine hairlines and intentional gaps call for generous sizing and careful reproduction.

The overall tone is chic and theatrical, combining couture-level refinement with a slightly rebellious, engineered edge from the broken strokes. It suggests high-end editorial design, luxury branding, and dramatic display typography with a contemporary twist.

The design appears intended to merge a modern Didone-like italic with purposeful stencil construction, delivering an upscale voice that still feels distinctive and crafted. It prioritizes striking texture and silhouette for impactful display use while maintaining a coherent, elegant typographic system across caps, lowercase, and figures.

The stencil breaks are integrated into the stress and terminal structure rather than appearing as random cuts, which keeps the silhouette readable while adding texture. The italic angle and contrast make spacing and rhythm feel lively, especially in larger sizes where the hairlines and bridges remain a prominent graphic feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸