Font Hero

Free for Commercial Use

Solid Ogho 6 is a very bold, very narrow, low contrast, reverse italic, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Hadney Buddy' by Arterfak Project, 'Passiflora' by Compañía Tipográfica de Chile, 'Chop Crap' by Flawlessandco, 'Midnight Wowboy' by Mysterylab, 'Hatter Halloween' by RodrigoTypo, 'SG Larchett' by Studio Gulden, and 'Raintage' by ahweproject (names referenced only for comparison).

Keywords: posters, headlines, logo marks, packaging, stickers, playful, retro, chunky, whimsical, soft-edged, attention-grabbing, humor, novel display, bold branding, retro charm, blobby, rounded, bulbous, cartoonish, mushy.


Free for commercial use
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This typeface uses heavily swollen, blobby silhouettes with rounded terminals and frequent notch-like indentations that make each letter feel carved out of a soft mass. Counters are largely collapsed, leaving mostly solid shapes and relying on exterior contour to differentiate characters. Strokes appear monolinear in spirit, with smooth curves dominating and only occasional flat facets at joins; overall geometry feels organic rather than constructed. Proportions are compact and upright-leaning, with a tall lowercase presence relative to capitals and numerals, producing a dense, high-coverage texture in text.

Best suited to short, high-impact settings such as posters, headlines, branding wordmarks, packaging callouts, and playful merchandise graphics. It can work for display-only captions or labels where a bold, humorous voice is desired, but it benefits from larger sizes where the sculpted contours remain legible.

The overall tone is humorous and approachable, with a vintage cartoon energy. Its soft, overstuffed forms read as friendly and goofy rather than formal, lending an intentionally imperfect, hand-molded character that feels lively and attention-grabbing.

The design appears intended to maximize visual mass and personality, turning letterforms into expressive, near-solid shapes with distinctive outer contours. It prioritizes a fun, novelty display presence over conventional readability, aiming for a memorable, cartoon-like voice in branding and headlines.

Because interior openings are minimized, differentiation happens through distinctive outer silhouettes (especially in letters like a/e/s and numerals), which increases the importance of generous sizing and spacing. In paragraph settings the texture becomes very dark and continuous, emphasizing impact over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸