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Free for Commercial Use

Sans Normal Munel 2 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Croma Sans' by Hoftype, 'Telder HT Pro' by Huerta Tipográfica, 'MC Maxes' by Maulana Creative, 'Mundo Sans' by Monotype, 'Plau Redonda' by Plau, and 'Multi' by Type-Ø-Tones (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids media, logos, playful, chunky, friendly, cartoonish, punchy, high impact, friendly display, brand voice, playful emphasis, poster readability, rounded, bouncy, soft corners, compact counters.


Free for commercial use
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This typeface uses heavy, compact strokes with rounded outer curves and generally squared-off terminals, creating a solid, blocky silhouette. Forms lean toward geometric simplicity—circles and broad arcs for bowls—with counters that stay relatively small, especially in letters like B, P, R, and e. The lowercase shows single-story a and g, a short-shouldered r, and a broad, sturdy u, keeping the texture dense and even. Numerals are similarly weighty and rounded, with a prominent, closed 8 and a squat 0 that matches the overall mass and rhythm.

It performs best in short, high-impact settings such as headlines, posters, packaging callouts, and logo wordmarks where its chunky shapes can dominate the page. The dense counters and heavy texture make it more suitable for display typography than extended small-size reading.

The overall tone is upbeat and approachable, with a slightly quirky, hand-cut feel created by the chunky proportions and softened curves. It reads as confident and loud rather than refined, aiming for friendly impact and a casual, fun voice.

The design appears intended to deliver maximum presence with friendly, rounded geometry—prioritizing bold readability and character over fine detail. Its simplified construction suggests a focus on approachable branding and energetic display use.

Spacing and internal whitespace feel tight by design, which helps headlines look bold and cohesive but can make smaller sizes feel crowded. The strongest impression comes from the consistent, simplified geometry and the emphasis on sturdy, poster-like shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸