Sans Superellipse Ikgen 22 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Panton Rust' by Fontfabric, 'CF Mod Grotesk' by Fonts.GR, 'FS Koopman' by Fontsmith, 'Passenger Sans' and 'Passenger Sans Cyrillic' by Indian Type Foundry, and 'Kommon Grotesk' by TypeK (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, stickers, playful, friendly, punchy, retro, chunky, display impact, brand voice, counter clarity, retro flavor, soft corners, blocky, stencil-like, ink-trap feel, rounded terminals.
A heavy, compact display sans with rounded-rectangle construction and soft corners throughout. Strokes are broad and even, with minimal modulation, producing a strong, poster-like color on the page. Many joins and counters show deliberate notches and stepped cut-ins that create a slightly stencil-like, ink-trap feel, helping keep interior spaces open at large sizes. Curves lean toward squarish superellipse geometry, and terminals are blunt and rounded rather than sharp. Numerals and capitals share the same dense, sturdy proportions, while lowercase forms remain similarly chunky with stable, upright rhythm.
Best suited to headlines, posters, and short statements where its mass and rounded-square geometry can be appreciated. It works well for packaging, badges, stickers, and bold brand marks that want a friendly, retro-leaning display voice. For longer passages, it benefits from larger sizes and more spacing to maintain clarity.
The overall tone is bold and approachable, mixing a friendly softness with a loud, attention-grabbing presence. The squared curves and purposeful cut-ins give it a retro, sign-painting/packaging energy, while the rounded forms keep it lighthearted rather than aggressive.
The design appears intended as a high-impact display sans built from rounded rectangular forms, emphasizing a strong silhouette and a distinctive set of cut-in details that preserve counters and add personality. It prioritizes immediate legibility and brandable character over neutrality, aiming to look lively and robust in advertising-style settings.
In continuous text the deep weight and tight counters can create strong texture, so it reads best when given generous tracking and line spacing. The distinctive cut-in details become part of the voice, making the face feel branded and characterful rather than neutral.