Print Igvi 5 is a regular weight, narrow, medium contrast, reverse italic, normal x-height font.
Keywords: posters, book covers, packaging, headlines, game ui, playful, quirky, storybook, hand-drawn, casual, handmade feel, expressive display, whimsical tone, themed lettering, informal branding, brushy, angular, spiky, tapered, expressive.
A lively hand-drawn print style with quick, brush-like strokes and tapered terminals. Letterforms lean with a backward slant and show noticeable irregularity in width and curvature, producing a bouncy, uneven rhythm across words. Strokes alternate between fuller bowls and sharper, knife-like joins, with occasional flared ends and pointed notches that suggest a fast marker or brush pen. Counters are generally open and simplified, and spacing varies slightly from glyph to glyph, reinforcing the informal, drawn-on feel.
Best suited to short-to-medium display text where personality is the priority—posters, book or chapter titles, product labels, and playful branding. It can also work for themed interfaces (such as casual games) and social graphics. For long passages or small sizes, the irregular spacing and sharp details may become visually busy, so it’s more effective as an accent or headline face.
The overall tone is whimsical and mischievous, with a slightly spooky or folklore edge created by the sharp tips and jagged turns. It feels conversational and handmade, more like a quick title card or doodled lettering than formal typography. The texture reads energetic and spirited, aiming for charm and personality over refinement.
The design appears intended to capture a quick, expressive hand-lettered look with a distinctive backward slant and brush-pen texture. Its irregular proportions and pointed terminals aim to create a memorable, characterful voice that feels human-made and slightly theatrical.
Uppercase and lowercase share a consistent gesture but differ in emphasis, with uppercase forms often showing stronger angles and more dramatic terminals. Numerals keep the same brushy construction and asymmetry, making them fit naturally in the same display setting. The silhouette stays clear at larger sizes, where the tapered ends and irregular stroke energy become part of the design.