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Free for Commercial Use

Cursive Abrug 3 is a light, very narrow, medium contrast, italic, very short x-height font.

Keywords: invitations, greeting cards, branding, social media, packaging, casual, friendly, lively, personal, airy, handwritten feel, signature style, casual elegance, quick notes, personal tone, monoline, looping, tall ascenders, long descenders, bouncy baseline.


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A slim, handwritten cursive with a flowing, slightly right-leaning rhythm and a predominantly monoline stroke that shows gentle pressure-related modulation. The forms are tall and compact, with a notably small x-height contrasted by long ascenders and deep, looped descenders that create an elegant vertical cadence. Terminals are rounded and brush-pen-like, and lettershapes favor open counters and soft joins; some connections are continuous while others break naturally as in quick handwriting. Capitals are simple and narrow with occasional flourish, and figures are similarly light and handwritten, keeping a consistent, airy color in text.

This font suits invitations, greeting cards, and personal stationery where a handwritten voice is desired. It also works well for boutique branding, product labels, and social posts, particularly for headlines, names, and short callouts where its tall extenders and light texture can be appreciated.

The overall tone feels informal and personable, like neat everyday handwriting with a touch of grace. Its looping extenders and soft curves add a lively, cheerful character without becoming overly ornate, lending an approachable, handcrafted warmth to short phrases.

The design appears intended to capture a clean, modern handwritten script—legible and quick-feeling, with graceful loops and an elegant vertical rhythm. It balances spontaneity with consistency, aiming for a friendly signature-like presence that remains readable in short-to-medium text.

Spacing appears tight and naturally irregular in the way of real pen script, with a slightly bouncy baseline that adds motion. The contrast between small lowercase bodies and tall extenders becomes a defining texture in longer lines, making it especially distinctive at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸