Sans Superellipse Pyrud 2 is a light, narrow, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, posters, packaging, signage, modern, friendly, clean, soft, playful, approachability, clarity, geometric cohesion, contemporary branding, rounded, squared-off, open counters, airy, minimal.
A softly squared, rounded sans with consistently even stroke weight and generous rounding at terminals and corners. Curves tend toward superelliptical shapes, giving bowls and arches a rounded-rectangle feel rather than pure circles. The proportions are compact and relatively tall in the caps, with open apertures and simple, uncluttered construction throughout. Details like the single-storey “a” and “g,” the smooth, loopless “j” descender, and the straightforward numerals reinforce a clean, contemporary rhythm.
Well suited for interface labels, dashboards, and product UI where a clean, contemporary look benefits from softened corners. It can also work effectively in branding, packaging, and display settings that want a friendly geometric voice, and in signage where clarity and an approachable tone are important.
The overall tone feels modern and approachable, with a gentle, slightly playful warmth created by the rounded geometry. It reads as calm and unobtrusive while still having a distinctive, design-forward personality. The softened corners suggest friendliness and informality without drifting into novelty.
The design appears intended to blend modern geometric structure with softened, human-friendly rounding. Its consistent stroke weight and superelliptical curves suggest a focus on clarity and cohesion, aiming for a distinctive but versatile sans that remains comfortable to read in short-to-medium text.
The face maintains a steady vertical cadence and a tidy, geometric logic across letters and figures. Rounded joins and subtly squared bowls create a consistent motif that holds together well in longer text samples, while the narrowish silhouettes keep lines compact. The figures are simple and legible, matching the letterforms’ rounded-rectangle vocabulary.