Sans Superellipse Daby 4 is a very light, very wide, monoline, upright, tall x-height font.
Keywords: display, headlines, ui, branding, posters, futuristic, minimal, technical, sleek, digital, sci‑fi feel, interface look, geometric system, modern minimalism, rounded corners, geometric, clean, open, modular.
A monoline geometric sans with an ultra-rounded, superellipse construction: corners resolve into soft radii and many curves feel like rounded rectangles rather than true circles. Strokes are consistently thin with mostly blunt terminals, and the overall drawing favors open apertures and generous internal space. Several forms use simplified, modular geometry—straight runs connected by quarter-round turns—creating a tidy, engineered rhythm. Figures and capitals share the same smooth, squared-off curvature, with clear, low-contrast shapes and a slightly expanded, airy footprint.
Best suited to display settings such as headlines, short blocks of copy, posters, and brand marks where the superelliptical geometry can be appreciated. It also fits UI and product contexts for labels or navigation at larger sizes, especially in technology, mobility, or industrial-themed design systems.
The tone is futuristic and tech-forward, with a calm, minimalist voice. Its rounded-square geometry suggests digital interfaces, product hardware, and contemporary sci‑fi styling rather than traditional print conventions. The very light stroke and open spacing keep it elegant and understated, emphasizing precision over warmth.
The design appears intended to translate a rounded-rect, interface-like geometry into a coherent alphabet, prioritizing a sleek outline, consistent curvature, and a modular construction. It aims for a contemporary, futuristic sans that stays light and refined while remaining highly stylized in its bowls and corners.
Round characters lean toward squarish bowls, and diagonals are kept crisp, giving the design a measured, constructed feel. The sample text shows consistent line color at display sizes, where the thin stroke reads cleanly and the distinctive rounded-rectangle skeleton becomes a defining stylistic signature.