Sans Superellipse Fomek 1 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Bank Sans EF' by Elsner+Flake, 'Futo Sans' by HB Font, 'Navine' by OneSevenPointFive, '946 Latin' by Roman Type, and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: sports branding, headlines, posters, packaging, gaming ui, sporty, industrial, energetic, assertive, futuristic, impact, speed, modernity, branding, display, oblique, compact, rounded, squared, geometric.
A heavy, oblique sans with squared proportions softened by generously rounded corners. Strokes are consistently thick with minimal contrast, producing dense, solid letterforms and a strong typographic color. Counters tend toward rounded-rectangle shapes, and terminals are mostly blunt, giving a machined, superelliptic feel. The lowercase shows a tall x-height with short ascenders and descenders, supporting compact setting and a steady rhythm, while numerals and capitals share the same wide-shouldered, blocky geometry and forward slant.
Best suited to short, high-impact text such as sports identities, event graphics, posters, and bold packaging statements. It can also work for display-heavy UI elements (e.g., gaming overlays or dashboards) where a strong, forward-leaning voice is desired, while longer passages may benefit from larger sizes and generous line spacing to preserve clarity.
The overall tone is fast, forceful, and modern, with a distinctly athletic and tech-leaning character. Its forward slant and compact, rounded-square construction read as dynamic and performance-oriented rather than delicate or formal.
The design appears intended to deliver maximum impact with a streamlined, contemporary look: a geometric, rounded-square construction paired with an oblique stance for speed and emphasis. It prioritizes bold presence, quick recognition, and a cohesive, engineered feel across letters and numbers.
Spacing appears relatively tight and the forms are intentionally simplified, favoring clear silhouettes over interior openness at smaller sizes. The italics are constructed as an oblique companion rather than a calligraphic italic, keeping the geometry consistent across the set.