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Free for Commercial Use

Sans Superellipse Etbob 6 is a bold, narrow, low contrast, italic, tall x-height font visually similar to 'Newhouse DT' by DTP Types, 'Opinion Pro' by Mint Type, 'Ordina' by Schriftlabor, 'Breuer Condensed' by TypeTrust, 'Kelpt' by Typesketchbook, and 'Body' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, editorial promos, sporty, urgent, modern, assertive, energetic, compact impact, high visibility, forward motion, modern utility, condensed, slanted, compact, punchy, rounded corners.


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A condensed, right-slanted sans with compact proportions and a tightly controlled rhythm. Strokes are heavy and even, with squared terminals softened by subtly rounded corners, giving the forms a superelliptical, machined feel. Counters are relatively small and openings are kept brisk, helping the letters hold together as dense blocks while remaining legible at display sizes. The lowercase shows a tall x-height and short extenders, reinforcing a compact vertical texture, while the numerals match the same sturdy, condensed stance.

Well-suited for bold, attention-first applications such as headlines, posters, sports and event branding, product packaging, and promotional editorial callouts. It can also work for short interface labels or navigation where a compact, high-impact voice is needed, but it is less ideal for long-form reading at small sizes due to its dense texture.

The overall tone is fast and forceful—like a headline voice built to project momentum. Its slant and dense color add urgency and athletic energy, while the rounded-rect geometry keeps it contemporary and controlled rather than expressive or calligraphic.

The design appears intended to deliver maximum impact in limited horizontal space, combining a consistent italic slant with sturdy, rounded-rectangle letterforms for a modern, performance-oriented look. It prioritizes strong silhouette and uniform stroke presence to maintain clarity and authority in display settings.

The design reads best when given room to breathe horizontally; tight spacing can make interior spaces feel crowded in rounded letters. The italic angle is consistent across capitals, lowercase, and figures, producing a cohesive, forward-leaning typographic “push.”

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸