Sans Superellipse Arnof 2 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: display, headlines, branding, ui, posters, futuristic, techy, minimal, clean, space-age, modernity, system design, tech branding, geometric purity, legibility at display, rounded, geometric, modular, airy, sleek.
A geometric sans built from rounded-rectangle and superellipse forms, with a consistent, hairline stroke and generous interior whitespace. Corners are broadly radiused, giving many glyphs a soft, capsule-like silhouette, while diagonals (A, V, W, X, Y) are crisp and straight, creating a clear contrast between curved and angular components. Terminals are predominantly squared-off and open, and several letters use simplified, modular construction that favors clarity over traditional calligraphic modulation. Numerals follow the same rounded-rect geometry, with open, segmented-like joins and even rhythm across the set.
Best suited to display sizes where its thin stroke and wide spacing can stay crisp and distinctive—headlines, logotypes, packaging accents, posters, and interface branding. It can work for short UI labels or navigation when rendered large enough to preserve its delicate line weight and open constructions.
The overall tone feels futuristic and engineered—cool, precise, and lightweight. Its rounded geometry reads as friendly but still distinctly technical, evoking digital interfaces, transportation signage, and sci‑fi titling without becoming ornamental.
The design appears intended to translate a rounded-rect geometry into a coherent alphabet, prioritizing a streamlined, contemporary look. By keeping stroke weight uniform and relying on softened corners and simplified joins, it aims for a modern tech identity that feels orderly, approachable, and highly stylized.
The design leans on open counters and separated strokes in places (notably in E/F/S-like constructions), which boosts a high-tech character and keeps forms from feeling dense. Round letters such as O and Q appear more like rounded boxes than circles, reinforcing a modular, system-built aesthetic.