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Free for Commercial Use

Sans Rounded Upwy 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Chankfurter' by Chank, 'Knicknack' by Great Scott, 'Noyh' by Typesketchbook, and 'Aristotelica Pro' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids, logos, playful, friendly, bouncy, cheerful, chunky, approachability, impact, youthful tone, brand friendliness, softness, pillowy, soft, rounded, compact, cartoonish.


Free for commercial use
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This typeface uses heavy, rounded strokes with consistently soft, bulbous terminals and smooth corners throughout. Letterforms are compact and highly simplified, with generous interior rounding and small, rounded counters that keep the overall texture dark and even. Curves dominate and joins are softened, producing a pillowy silhouette; diagonals and junctions (as in V, W, K, and Y) feel thick and cushioned rather than sharp. The overall rhythm is steady and low-contrast, emphasizing bold, approachable shapes over fine detail.

It performs best in short, high-impact settings such as headlines, posters, product packaging, and branding where a friendly, rounded voice is desirable. The bold, compact forms also suit logos and badges that need a soft, approachable look. For longer passages, it’s better reserved for larger sizes where the small counters and dense texture remain comfortably readable.

The font projects a warm, lighthearted personality with a toy-like, snackable softness. Its chunky proportions and rounded finishes create an inviting, comedic tone that feels casual and upbeat rather than formal or technical. The dense color and bouncy forms give it a distinctly fun, kid-friendly presence.

The design appears intended to deliver maximum friendliness and visibility through thick, rounded construction and simplified, highly legible silhouettes at display sizes. Its softened joins and consistent, cushioned shapes suggest an emphasis on approachability and playful branding rather than neutrality or editorial refinement.

In text, the tight counters and heavy weight create strong visual impact but can reduce clarity at smaller sizes, especially where bowls and apertures are naturally narrow. Numerals follow the same rounded, compact construction, keeping the set cohesive and friendly in display contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸