Sans Normal Ollah 8 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Gotham' by Hoefler & Co., 'EquipCondensed' by Hoftype, 'Hoxton North' by The Northern Block, and 'Giane Gothic sans' by XdCreative (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, straightforward, modern, utilitarian, display impact, clarity, modern neutrality, brand presence, simplicity, geometric, monoline, rounded, compact, blocky.
A heavy, geometric sans with broad, even strokes and clean, predominantly circular and rectangular construction. Curves are smooth and full (notably in C, O, Q, and 8), while terminals are mostly flat and decisive, giving letters a sturdy, compact feel. The lowercase is simple and highly regular, with a single-storey a and g, a short-shouldered r, and a fairly wide, symmetrical m; counters are open enough to stay clear at display sizes. Numerals are similarly robust, with round forms (0, 6, 8, 9) balanced by squared, stable shapes (1, 4, 7), creating a consistent, high-impact rhythm across mixed text.
Best suited to headlines, posters, and brand-forward applications where strong typographic color and simple geometry are desirable. It also fits packaging and signage that need clear, assertive letterforms at larger sizes, and can work for short UI labels or callouts when a sturdy, contemporary tone is intended.
The font reads as pragmatic and confident, with a friendly neutrality that feels contemporary rather than ornate. Its geometric clarity and solid mass give it a direct, poster-like presence, while the rounded bowls keep it approachable and non-technical.
The design appears intended as a modern, no-nonsense display sans: geometric enough to feel current, and weighty enough to command attention. Its simplified lowercase and sturdy figures suggest an emphasis on quick recognition and consistent impact across a wide range of headline-style copy.
In the sample text, the dense color and tight interior spaces create strong word shapes that suit short lines and large settings. The design’s consistency across uppercase, lowercase, and figures supports clean typographic hierarchy without relying on decorative cues.