Sans Faceted Idday 2 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, signage, packaging, airline, architectural, precise, airy, contemporary, geometric clarity, modern refinement, architectural tone, futuristic edge, monoline, geometric, angular, faceted, crisp.
A very thin monoline sans with a geometric skeleton and frequent sharp joins that break curves into subtle planar facets. Rounds like C, O, and S read as gently segmented arcs, while straight-sided forms (E, F, H, N) are clean and spare with long, even strokes. Proportions are tall and open with generous counters; terminals are mostly blunt and squared, and diagonals (V, W, X, Y) are narrow and crisp. The lowercase is simple and modern, with single-storey a and g, and a lightly hooked, descending y that adds a small calligraphic flick to an otherwise constructed system.
Best suited for display applications where its light, geometric voice can breathe: editorial headlines, brand wordmarks, tech and design packaging, and wayfinding or environmental graphics in controlled print or high-resolution digital contexts. It can also work for short UI labels or captions when contrast and rendering are favorable.
The overall tone is calm, refined, and technical—more like signage and diagrams than expressive handwriting. Its faceted rounding lends a subtle futuristic, engineered feel, while the light stroke keeps it elegant and understated. The rhythm is measured and spacious, projecting clarity and restraint.
The design appears intended to merge a clean sans structure with a faceted, polygonal approach to curves, producing a modern, architectural aesthetic. By keeping strokes uniformly thin and details reduced, it prioritizes elegance and precision over warmth or robustness.
At text sizes the thin strokes and airy spacing create a delicate, high-end impression, but the faceted construction remains visible in larger display settings where the segmented curves become a defining texture. Numerals are similarly minimal and geometric, with open forms and a consistent, wireframe-like presence.