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Free for Commercial Use

Solid Abso 9 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Fox Felix' by Fox7, 'Radio Station JNL' by Jeff Levine, and 'Malachite' by Umka Type (names referenced only for comparison).

Keywords: posters, headlines, packaging, kids media, stickers, playful, quirky, retro, chunky, cartoonish, attention grab, humor, handmade feel, retro display, silhouette focus, wobbly, compressed, blobby, soft-edged, hand-cut.


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This typeface uses chunky, compact letterforms with softly irregular outlines and a subtly wobbled baseline/stance that makes the shapes feel cut-out rather than engineered. Strokes are broadly even, with simplified construction and frequent collapsing of counters so many characters read as solid silhouettes. Curves are full and bulbous (notably in C, O, S, and lowercases), while many straight-sided forms show slight tapering or uneven shoulders that adds a handmade rhythm. Spacing and widths vary by character, creating an animated, uneven texture in words, and the figures share the same heavy, sculpted presence as the letters.

Best suited for short, high-impact display settings such as posters, headlines, packaging, and playful branding where silhouette and attitude matter more than internal detail. It can work well for kids-oriented media, event promotions, or novelty labeling, especially at larger sizes where its irregular rhythm reads as intentional and energetic.

The overall tone is playful and offbeat, with a retro-cartoon sensibility that feels loud and attention-seeking. Its irregularity and filled-in interiors give it a humorous, slightly mischievous personality—more like display lettering than conventional text typography.

The design appears intended to deliver maximum visual punch through solid, simplified forms and a deliberately imperfect, hand-shaped rhythm. By prioritizing silhouette over counters and fine stroke detail, it aims to feel fun, informal, and instantly readable as a novelty display voice.

Because many interior openings are reduced or closed, differentiation relies on outer contours and distinctive notches/terminals, which increases visual impact while reducing fine detail. The lowercase set appears especially bouncy, with rounded bowls and stout stems that help maintain a consistent, bold silhouette across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸