Print Fuliv 8 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'CF Blast Gothic' by Fonts.GR and 'Refuel' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, packaging, logo marks, merchandise, energetic, retro, informal, punchy, playful, impact, handmade, vintage, attention, movement, brushy, slanted, chunky, rugged, poster-like.
This typeface uses heavy, compact letterforms with a consistent rightward slant and broad, low-contrast strokes. The outlines feel brush-cut and slightly irregular, with chiseled terminals and occasional notches that create a rugged, hand-made texture. Counters are tight and simplified, and curves are built from bold, rounded masses rather than delicate modulation. Spacing reads compact and lively, with variable widths that keep the rhythm bouncy while maintaining strong silhouette recognition.
This font is best suited to short, high-impact settings such as posters, event titles, product packaging, and bold brand marks where personality is a priority. It can work for punchy subheads or pull quotes, but its dense strokes and tight counters make it less suitable for long body copy at small sizes. Large-scale applications benefit most from its textured, brushy details.
The overall tone is spirited and bold, evoking classic sign painting and mid-century display lettering. It feels casual and confident rather than refined, with a slightly gritty edge that adds personality. The slant and dense shapes lend motion and urgency, making text feel loud and attention-seeking.
The design appears intended to mimic confident, quickly rendered brush lettering with a strong display presence. Its compact proportions and carved-looking terminals suggest a goal of maximum impact in minimal space while keeping an unmistakably hand-made feel.
Uppercase and lowercase share a cohesive, sculpted brush look, and the numerals match the same chunky, cut-brush construction. The texture becomes more apparent at larger sizes, where the angular bites and terminal shapes read as intentional hand-drawn character rather than distortion.