Font Hero

Free for Commercial Use

Outline Lyza 12 is a regular weight, normal width, monoline, upright, tall x-height font.

Keywords: headlines, logos, posters, packaging, signage, retro, playful, neon, techy, display impact, signage feel, neon effect, graphic branding, playful clarity, rounded, geometric, outlined, double-line, open counters.


Free for commercial use
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A rounded geometric outline face built from a consistent double-line contour, creating a hollow interior throughout each glyph. Strokes are monoline in feel, with smoothly radiused corners and soft terminals that keep the forms friendly and even. Letterforms lean toward simple, high-clarity construction—upright, broadly proportional capitals and a tall, open lowercase with generous apertures. Numerals and punctuation follow the same outlined geometry, producing a uniform rhythm that reads cleanly at display sizes while emphasizing the airy, cutout look.

Best suited to headlines, logos, posters, and packaging where the outlined construction can be appreciated, and where the hollow interior can interact with color or texture behind it. It also works well for signage-inspired graphics, event titles, and UI hero text where a neon/outline motif is desired.

The double-outline treatment evokes illuminated tubing and vintage sign lettering, giving the type a retro yet slightly tech-forward personality. Its rounded geometry keeps the tone approachable and playful rather than severe, with a crisp graphic presence that feels at home in bold, attention-getting contexts.

The design appears intended to deliver a clean, geometric outline style with a strong sign-lettering influence—prioritizing graphic impact and a distinctive hollow silhouette over dense text setting. The consistent contour system suggests it was drawn to remain uniform across varied glyph shapes, making it reliable for branding and display compositions.

Because only the contours carry visual weight, the face benefits from ample size and contrast against its background; tighter spacing or small sizes can cause the inner negative space to compete with legibility. The consistent outline logic across caps, lowercase, and figures makes it particularly cohesive for short strings and branding-style lockups.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸