Sans Faceted Mipy 3 is a bold, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, industrial, gothic, tactical, authoritative, retro, hard-edged display, faceted geometry, signage impact, mechanical voice, brand stamp, angular, faceted, chamfered, monolinear, condensed capitals.
This typeface is built from straight strokes and clipped corners, replacing curves with crisp planar facets. Terminals are consistently chamfered, creating a beveled, cut-metal look, while interior corners often form small triangular notches that sharpen counters and joins. Strokes read largely monolinear, with compact apertures and squared-off bowls that keep the texture dense and high-impact. Capitals are tall and rigid; lowercase echoes the same construction with simplified, boxy forms and a sturdy, mechanical rhythm. Numerals follow the same faceted geometry, remaining clear and blocky with strong vertical emphasis.
Best used for headlines, posters, album or game titles, and brand marks where angular personality is a feature. It also fits packaging and signage that aims for an industrial or regimented feel. For extended text, it will be most effective at larger sizes with generous spacing to preserve the faceted details.
The overall tone is stern and engineered, suggesting machinery, signage, and hardened surfaces. Its angular construction also leans into a blackletter-adjacent, old-world severity, but expressed through a modern, geometric cut. The result feels commanding, tactical, and slightly retro—suited to designs that want grit without decorative flourish.
The design intent appears to be a curve-free, chiseled sans that delivers a hard-edged identity through consistent chamfers and notched joins. By keeping the construction systematic and stroke-driven, it achieves a strong, emblematic presence while maintaining legible letterforms for short-form messaging.
The tight apertures and frequent corner cuts create distinctive silhouettes at display sizes, but the dense internal shapes can darken quickly in longer passages. Word shapes stay steady due to consistent verticals and repeating chamfer motifs, giving a uniform, poster-like cadence across lines.