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Sans Normal Ignuk 11 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Kentledge' by Namogo, 'Santral' by Taner Ardali, 'Mundial Narrow' by TipoType, 'Gordita' by Type Atelier, and 'TT Norms Pro' by TypeType (names referenced only for comparison).

Keywords: ui text, branding, signage, packaging, editorial, friendly, modern, clean, approachable, casual, everyday readability, friendly modernity, softened geometry, brand approachability, rounded, soft terminals, open apertures, geometric, even color.


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A rounded sans with smooth, monoline strokes and gently softened terminals. The overall construction leans geometric—round letters are close to circular and straighter strokes stay clean—while subtle humanist touches appear in the small irregularities of joins and the lively curvature on characters like the lowercase “t” and “y”. Counters are roomy and apertures stay open, giving the design a bright, legible texture. Proportions feel balanced with straightforward, uncompressed letterforms and consistent stroke behavior across upper- and lowercase; figures follow the same rounded, friendly logic.

This face suits interface copy and product experiences where clarity and a friendly tone are important. It also fits branding and packaging that benefit from a soft, contemporary sans, and it holds together well in short editorial passages thanks to its open counters and even texture.

The font reads as warm and approachable rather than technical, combining a modern, minimal silhouette with a slightly playful softness. Its rounded finishing and open shapes give it an inviting tone that works well for everyday communication and consumer-facing design.

The design appears intended to offer a contemporary, widely usable sans that stays neutral enough for day-to-day typography while adding warmth through rounded terminals and spacious interiors. It aims for clear readability with a personable, informal edge.

The uppercase has simple, steady geometry (notably the round bowls and smooth curves), while the lowercase introduces more personality through curved joins and asymmetric details. Overall spacing in the sample text looks comfortable and contributes to a calm, even rhythm in paragraphs.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸