Sans Normal Afnuf 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Izmir' by Ahmet Altun; 'Nicky Sans' by Digitype Studio; 'Duplet Open' by Indian Type Foundry; 'Rewalt' by NicolassFonts; 'Gilroy', 'Qanelas', and 'Qanelas Soft' by Radomir Tinkov; and 'Segment' by Typekiln (names referenced only for comparison).
Keywords: branding, ui, editorial, signage, packaging, modern, clean, dynamic, friendly, technical, clarity, versatility, modernity, motion, oblique, geometric, rounded, open apertures, crisp.
A slanted sans with a clean, geometric foundation and smooth, circular curves. Strokes are uniform with minimal contrast, producing a steady, even texture in both display and text settings. Counters are generally open and round, terminals are plain and unadorned, and curves stay taut rather than calligraphic. Proportions feel balanced and contemporary, with a straightforward construction and a consistent oblique angle that keeps lines of text moving forward.
Works well for contemporary branding systems, interface typography, and product communication where a clean oblique sans can add momentum. It also suits headlines, short paragraphs, and signage that benefits from straightforward forms and an energetic slant without decorative styling.
The overall tone is modern and efficient, with a subtle sporty energy from the oblique stance. Its rounded geometry keeps it approachable rather than severe, making it feel both utilitarian and friendly. The rhythm reads as crisp and contemporary, suited to clean interfaces and branded messaging that wants motion without aggression.
Likely designed to provide a neutral, versatile sans that gains personality through an oblique angle and geometric roundness. The intent reads as clarity-first: consistent strokes, open forms, and a disciplined construction aimed at reliable everyday use while still feeling modern and active.
The figure set matches the same forward-leaning posture, maintaining a consistent rhythm alongside letters. Uppercase forms appear simple and sturdy with broad curves, while lowercase maintains clarity through open shapes and uncluttered joins, helping retain legibility in longer passages.