Inline Pavo 6 is a regular weight, wide, very high contrast, upright, tall x-height font.
Keywords: headlines, posters, branding, packaging, logotypes, art deco, retro, theatrical, luxury, dramatic, deco revival, decorative impact, logo use, poster display, vintage glamour, geometric, ornamental, stencil-like, display, monoline inset.
A stylized display face built from bold, geometric forms with sharply contrasted thick strokes and hairline elements. Many letters use solid black masses that are split by narrow internal inlines or vertical cutouts, creating a carved, dimensional effect; counters are often simplified into semicircles and clean arcs. The construction favors crisp terminals, occasional pointed joins, and a mix of straight-sided stems with rounded bowls, producing a strong rhythmic pattern across words. Lowercase retains the same graphic logic, with compact, open forms and distinctive internal striping; figures follow suit with simplified, poster-like silhouettes and inset detailing.
Best suited to large-size applications where the carved inlines and internal cutouts can be appreciated—posters, editorial headlines, album or event titling, packaging, and distinctive wordmarks. It can also work for short UI labels or signage when set generously with ample spacing, but it is primarily a display option rather than a text face.
The overall tone feels distinctly Art Deco and stage-poster inspired—glamorous, dramatic, and slightly enigmatic. The high-impact black shapes and precise inlines give it a luxe, marquee-like presence that reads as vintage-modern rather than purely historical.
The design appears intended to reinterpret classic Deco-era display lettering with a modern, high-contrast silhouette and an engraved inline motif. Its goal is impact and style—creating memorable, logo-ready shapes and a theatrical typographic voice for titles and branding.
The inline/cutout treatment varies by glyph (some letters lean on a central slit, others on a carved inner contour), which adds visual sparkle but can create uneven texture at small sizes. Round letters like O/Q/0 become especially graphic, reading as emblematic shapes rather than neutral text forms.