Cursive Hori 2 is a very light, very narrow, high contrast, italic, very short x-height font.
Keywords: signatures, invitations, logotypes, headlines, packaging, elegant, airy, intimate, expressive, delicate, personal note, signature feel, graceful motion, fashion tone, expressive script, hairline, spidery, loopy, calligraphic, slanted.
This typeface has a hairline, pen-like stroke that stays extremely thin throughout, with occasional sharp tapers and slight thickening at turns that suggests quick pressure changes. Letterforms are tall and tightly drawn, with steep rightward slant, compact counters, and long ascenders/descenders that create a vertical, reed-like rhythm. Curves are narrow and looped, and many joins are implied by continuous strokes, while capitals show more dramatic entry/exit swashes and elongated diagonals. Spacing appears uneven in a natural way, with a lively, handwritten baseline and narrow internal widths that keep words compact.
Best suited for short, expressive settings where delicacy and motion are desirable—signatures, fashion or beauty logotypes, invitation titles, packaging accents, and elegant headline treatments. It works particularly well when given generous size and spacing so the thin strokes and tall proportions can breathe.
The overall tone is refined and whispery, like a fast personal note written with a fine nib. It feels romantic and fashion-leaning, with a slightly edgy, scratch-pen energy that reads as intimate rather than formal. The high, slender proportions give it a poised, graceful character with a spontaneous, human cadence.
The design appears intended to capture a swift, fine-pen cursive with tall, narrow construction and dramatic capitals, prioritizing gesture and sophistication over utilitarian readability. Its consistent slant and looping forms aim to create a continuous handwritten flow with a refined, airy texture.
The very small lowercase bodies relative to the ascenders/descenders make the texture look light and threadlike, especially in longer lines. Some glyphs lean toward simplified, gestural shapes, which enhances flow but can reduce clarity at small sizes or in dense text.