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Free for Commercial Use

Distressed Esda 5 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold; 'Helvetica' by Linotype; 'Arial', 'Arial Narrow OS', and 'Helvetica Now' by Monotype; and 'Nimbus Sans L' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, packaging, headlines, stickers, social graphics, playful, handmade, grungy, casual, lively, handmade look, printed texture, casual display, diy branding, brushy, inked, roughened, chunky, organic.


Free for commercial use
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A chunky, hand-rendered sans with rounded, slightly squarish proportions and visibly irregular contours. Strokes show a marker/brush-like build with occasional tapering, uneven terminals, and worn-looking voids that create a mottled texture through counters and stems. Curves are soft and full, while verticals and horizontals remain simple and blocky, producing sturdy silhouettes with subtle per-glyph variation in width and rhythm. Lowercase forms are straightforward and readable, with single-storey a and g, a compact t, and open apertures that keep text from clogging despite the texture.

Well-suited for display typography where texture and personality are desired—posters, packaging, café or market signage, stickers, and social media graphics. It also works for short brand phrases or section headers where a handmade, printed look supports an approachable message.

The overall tone is friendly and informal, like quick lettering on a poster or product label. The distressed texture adds a DIY, screen-printed feel that reads as energetic and slightly rugged rather than polished or corporate.

The design appears intended to mimic bold hand-lettering with a deliberately imperfect, worn print texture—capturing the look of ink on paper and the slight inconsistencies of manual drawing or rough reproduction.

At larger sizes the internal speckling and rough edges become a defining feature; at smaller sizes that texture may visually merge, so the font tends to look best when given a bit of breathing room. Numerals match the same hand-inked character, with rounded shapes and slightly uneven stroke edges that maintain the casual rhythm in mixed settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸