Sans Faceted Gure 3 is a very light, normal width, low contrast, italic, normal x-height font.
Keywords: sci-fi ui, tech branding, posters, headlines, game graphics, techy, futuristic, schematic, precise, experimental, futurism, geometric styling, interface feel, display emphasis, constructed forms, angular, monoline, segmented, octagonal, wireframe.
A monoline, angular sans built from straight segments and clipped corners, with curves consistently replaced by planar facets. Strokes are thin and even, with small gaps and sharp joins that create a segmented, almost plotted outline behavior. The italic slant is noticeable across both cases, and spacing feels open, giving the design a light, airy texture. Uppercase forms tend toward geometric, octagonal silhouettes, while lowercase maintains the same faceted logic with simplified, single‑storey constructions and compact terminals.
Best suited to display roles where its faceted construction can be appreciated: sci‑fi UI mockups, tech-forward branding, game graphics, and poster or headline typography. It can also work for short product names, labels, and titling where a lightweight, engineered voice is desired, rather than extended body text.
The overall tone is technical and futuristic, evoking instrument markings, CAD lettering, and sci‑fi interface typography. Its faceted geometry reads as precise and engineered, while the airy strokes and slant add motion and a slightly experimental edge. The segmented corners contribute a synthetic, “constructed” feel rather than a handwritten one.
The font appears designed to reinterpret a neutral sans skeleton through faceted geometry, replacing curves with clipped planes and keeping strokes consistently thin. The italic slant and open spacing suggest an emphasis on motion and modernity, aiming for a distinctive, interface-like aesthetic that remains legible while clearly stylized.
Distinctive cut-ins and chamfered corners are used consistently to imply curvature, especially in round letters and numerals. The design relies on clean angles and minimal modulation, so letterforms remain crisp at display sizes, while very small sizes may lose some of the facet detail. Figures follow the same polygonal logic, producing a cohesive alphanumeric set with a mechanical rhythm.