Sans Superellipse Ragip 12 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'CF Blast Gothic' by Fonts.GR, 'Knockout' by Hoefler & Co., 'Parkson' by Rook Supply, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, editorial, condensed, modern, utilitarian, industrial, clean, space saving, clarity, modern tone, systematic geometry, monolinear, compact, vertical, rounded corners, open apertures.
A tightly condensed sans with a monolinear stroke and a strong vertical rhythm. Curves resolve into rounded-rectangle/superellipse shapes, giving counters and bowls a softly squared feel rather than fully circular forms. Terminals are clean and blunt, joins are crisp, and the overall geometry reads engineered and consistent. The lowercase shows a tall x-height with compact ascenders and descenders, keeping the texture dense and efficient; figures are similarly narrow and aligned for a uniform set.
Best suited to space-conscious headlines, posters, and branding where a compact, vertical presence is desirable. It can work well for signage and labels that need a modern, condensed look, and for editorial display settings where a dense typographic texture is part of the design.
The tone is functional and contemporary, with an industrial, signage-like clarity. Its compressed proportions and squared-round construction create a purposeful, no-nonsense voice that feels technical and organized rather than expressive or calligraphic.
Likely designed to provide a highly compact, modern sans optimized for tight layouts while maintaining clear counters and a consistent geometric voice. The rounded-rectangle construction suggests an intention to blend technical precision with a slightly softened, contemporary finish.
The narrow set width produces a strong, columnar color in paragraphs and headlines, with generous internal openness for the width. Rounded corners soften the otherwise strict geometry, helping the face feel approachable while remaining firmly utilitarian.