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Free for Commercial Use

Shadow Ubda 6 is a very light, narrow, low contrast, italic, normal x-height font.

Keywords: posters, headlines, branding, album art, titles, futuristic, glitchy, technical, edgy, kinetic, sci-fi display, digital distortion, modular styling, dimensional effect, high-impact titling, angular, segmented, stencil-like, wireframe, fractured.


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A sharply angular, segmented display face built from thin, broken strokes and open counters. Letterforms are constructed with straight stems, clipped corners, and deliberate gaps that create a cut-out, hollowed feel rather than continuous outlines. A subtle offset/echo of parts of the strokes reads as a shadowed trace, adding depth and motion without adding weight. The overall rhythm is tight and upright-leaning, with crisp terminals and a slightly irregular, assembled-from-pieces texture that remains consistent across caps, lowercase, and numerals.

Best suited for short, high-impact settings such as posters, event graphics, title cards, and tech-oriented branding where the shadowed, cut-out construction can be appreciated. It also works well for album art, gaming/UI accents, and motion graphics that lean into a digital or industrial aesthetic. For longer passages, larger sizes and generous spacing help preserve clarity and keep the fragmented texture from becoming noisy.

The font conveys a sci-fi, hacker-terminal energy with a controlled sense of distortion. Its fractured construction and shadowed echoes suggest speed, interference, and digital signal noise, giving it a tense, high-tech attitude. The tone feels modern and experimental, more about impact and atmosphere than conventional legibility.

The design appears intended to merge a minimal, lightweight skeleton with purposeful breakpoints and an offset shadow trace to create dimensionality and a sense of digital disruption. It prioritizes distinctive silhouette and texture, offering a stylized, system-built feel that reads as contemporary and tech-forward.

In the sample text, the discontinuities and offset fragments become more pronounced at smaller sizes, creating a shimmering, restless texture across lines. Numerals and punctuation maintain the same segmented logic, reinforcing the systemized, modular look. The open interiors and frequent breaks create strong negative-space patterns that read as part of the design.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸