Print Gyrem 4 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, packaging, book covers, labels, quirky, playful, rustic, storybook, spooky, handmade texture, expressive display, whimsical tone, rustic charm, irregular, wavy, inked, condensed, lively.
A hand-drawn print face with narrow proportions and an intentionally uneven silhouette. Strokes have a medium, slightly wobbly contrast and end in soft, blunted terminals that feel brush- or marker-made rather than mechanically cut. Counters are small and organic, curves look gently lumpy, and straight stems subtly bow, creating a lively, imperfect rhythm. Spacing and widths vary from glyph to glyph, reinforcing the casual, handmade texture while maintaining consistent overall readability in short lines.
Best suited to display use: posters, covers, packaging, labels, and short headlines where a handmade, offbeat voice is desirable. It can also work for short bursts of text in themed contexts (e.g., crafts, indie food and beverage, seasonal or spooky promotions), but extended body copy may feel busy due to the active outlines.
The tone is quirky and characterful, with a slightly eerie, storybook feel—more “hand-lettered sign” than polished typography. Its irregular contours and elastic shapes add humor and a touch of Halloween or folklore atmosphere without becoming fully decorative or illegible.
Likely designed to emulate quick hand-lettering with a controlled level of irregularity—capturing the charm of imperfect ink while staying structured enough for set text. The goal appears to be personality and mood over geometric consistency, giving designers an informal, narrative-friendly display option.
Capitals show pronounced individuality and can dominate the line, while lowercase forms stay compact and punchy. Numerals share the same soft, irregular construction, making them feel cohesive in display settings. The font’s texture becomes more prominent as size increases, where the waviness reads as intentional personality rather than distortion.