Sans Superellipse Rylub 2 is a bold, normal width, very high contrast, italic, normal x-height font.
Keywords: headlines, posters, sports branding, product packaging, gaming ui, sporty, industrial, techy, urgent, dynamic, impact, speed, modern branding, compact economy, mechanical tone, oblique, compressed feel, stencil-like cuts, ink-trap corners, squared curves.
A slanted, heavy display face built from squared-off curves and rounded-rectangle (superellipse) geometry. Strokes are broad with sharp internal notches and chamfered corners that create a cut, almost stencil-like rhythm, especially on joins and terminals. Counters are compact and often rectangular, with flattened bowls and clipped apertures that keep shapes tight and directional. Overall spacing is on the tight side with a forward-leaning cadence, and the design shows a mix of straight-sided structure and softened corner radii for a hard-yet-polished silhouette.
Best suited to large sizes where its cut corners and compact counters remain clear—headlines, event posters, sports or fitness identity, esports/gaming graphics, and punchy packaging callouts. It can also work for UI labels or section headers when you want an energetic, industrial voice, but it will feel intense for long-form reading.
The tone is fast, assertive, and engineered—more "performance" than "friendly." Its slant and angular cut-ins suggest speed and impact, while the rounded-rectangle construction keeps it feeling contemporary and product-like rather than retro script or calligraphic.
The design appears intended to deliver a streamlined, high-impact look that reads quickly and feels mechanical and modern. The superellipse-based construction and clipped joins emphasize speed, toughness, and contemporary branding consistency across caps, lowercase, and numerals.
Uppercase forms read like aerodynamic signage: squared bowls, narrow openings, and consistent corner treatments that unify the set. Numerals follow the same boxy curvature and clipped details, producing a cohesive, high-energy texture in short lines and headlines.