Sans Superellipse Pybey 2 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'DIN 2014' by ParaType, 'PF DIN Text' by Parachute, 'Otoiwo Grotesk' by Pepper Type, 'Artico' by cretype, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).
Keywords: ui labels, wayfinding, data display, product branding, editorial heads, modern, neutral, technical, clean, utilitarian, space efficiency, clarity, systematic tone, contemporary utility, monoline, compact, rounded, geometric, crisp.
A compact, monoline sans with subtly rounded corners and squarish curves that read as superellipse-derived rather than purely circular. Strokes are even and steady, with straight-sided verticals and horizontals that keep counters tight and rhythm consistent across text. The uppercase feels orderly and narrow with efficient proportions, while the lowercase maintains a straightforward, workmanlike construction with clean joins and minimal modulation. Numerals follow the same compact logic, with simple, legible forms and consistent stroke endings.
This font suits interface typography, navigation, and other space-conscious settings where compact width and steady stroke weight support clarity. It also works well for short headlines, product labeling, and informational print where a clean, contemporary sans is needed without overt stylistic cues.
The overall tone is modern and matter-of-fact, with a slightly technical character driven by its squared-round geometry and restrained detailing. It feels pragmatic and systems-oriented—more about clarity and structure than personality—while the rounded corners soften the voice just enough to avoid harshness.
The design appears intended to deliver a clean, efficient sans for modern communication, emphasizing compact proportions and consistent geometry. Its rounded-rectangle curves suggest a deliberate move toward a contemporary, device-friendly aesthetic while maintaining straightforward legibility.
Rounded terminals and corners are applied consistently, giving letters like C, G, O, S, and U a squircle-like contour. Spacing appears disciplined and relatively tight, supporting a dense, information-forward texture in paragraph settings without looking compressed.