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Free for Commercial Use

Solid Emjo 9 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Churchward Marianna' by BluHead Studio and 'Boulder' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, kids branding, logos, playful, friendly, cartoonish, cheerful, bold, attention, fun, impact, approachability, display, blobby, rounded, puffy, soft corners, compact counters.


Free for commercial use
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The design is built from rounded, blobby strokes with heavily softened corners and a puffy, ballooned silhouette. Counters are small and often reduced to tiny pinholes, while terminals end in smooth, swollen nubs, creating a cohesive “melted” rhythm across letters and numerals. Proportions lean broad and compact, with simplified construction and minimal interior detail, producing strong, solid word shapes and a highly graphic texture.

Best suited to display settings where a strong, playful presence is needed, such as children’s products, toy and candy packaging, posters, headlines, stickers, and short logo or mascot wordmarks. It can work well for social graphics, event titles, and playful UI moments where personality matters more than dense readability. Because interior openings are minimal, it is least suitable for small sizes or long text passages.

This typeface conveys a playful, friendly tone with a distinctly cartoon-like voice. Its soft, inflated forms feel approachable and slightly goofy, suggesting lighthearted entertainment, kids-forward messaging, and upbeat branding. The overall impression is bold and attention-seeking rather than refined or serious.

The letterforms appear designed to maximize visual impact through mass and softness, prioritizing chunky silhouettes over internal clarity. The collapsed counters and simplified geometry suggest an intentional novelty display style meant to read as a single, cohesive black shape at larger sizes. The consistent inflated treatment across the set indicates a deliberate, characterful voice rather than neutrality.

The sample text shows sturdy, high-density word shapes with tight internal spaces; letters like O/P/R and numerals rely on tiny puncture-like counters that can visually fill in at smaller sizes. The overall texture is very uniform and heavy, making spacing and size key to maintaining legibility.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸