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Sans Normal Ikmet 1 is a bold, wide, monoline, upright, normal x-height font visually similar to 'Noche' by 38-lineart, 'FF Mark' and 'FF Mark Paneuropean' by FontFont, 'Nexa Round' by Fontfabric, 'Heavitas Neue' by Graphite, 'Mazzard Soft' by Pepper Type, 'Gilmer' by Piotr Łapa, and 'Manifestor' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, logos, playful, friendly, retro, techy, chunky, distinctiveness, approachability, signage feel, modern retro, rounded, soft, geometric, modular, stencil-like.


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A heavy, rounded display sans with monoline construction and generous curves. Strokes terminate in fully rounded ends and many counters are simplified into open, segmented shapes, creating a subtle stencil-like rhythm across the alphabet. The proportions feel broad with ample sidebearings and smooth, circular bowls, while joins stay clean and consistent for a tidy, graphic silhouette. Distinctive cut-ins and separated strokes (notably in letters like A, B, E, and S) add a modular, engineered character without introducing sharp contrast.

Best suited for headlines, posters, and brand marks where its rounded modular cuts can be a recognizable signature. It also fits packaging, product labels, and playful UI or splash screens that benefit from a friendly retro-tech feel. For longer passages, it will be most effective at larger sizes with generous spacing where the segmented details remain clear.

The overall tone is upbeat and approachable, blending a soft, toy-like friendliness with a lightly futuristic, gadgety vibe. The segmented forms evoke signage and industrial labeling, giving it a retro-tech flavor that reads as fun rather than formal. Its chunky weight and rounded corners keep the texture warm and inviting even at large sizes.

This design appears intended to deliver a distinctive, rounded geometric voice with a built-in stencil/segment motif for instant recognition. The goal seems to be high-impact display typography that stays approachable, using simplified curves and consistent terminals to keep the forms cohesive while still quirky and memorable.

The intentional breaks and open counters increase visual character but also make some glyphs feel more emblematic than purely typographic, especially in dense text. Numerals match the rounded, segmented logic and look designed to sit comfortably in headlines and UI-style callouts. The font maintains a consistent stroke logic across uppercase and lowercase, producing an even, graphic color on the page.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸