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Sans Other Rynub 5 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, signage, industrial, techno, retro, assertive, mechanical, display impact, tech styling, modular geometry, compact density, condensed feel, squared, angular, vertical stress, compact counters.


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A sharp, geometric sans with tall proportions and an overall condensed feel. Strokes are predominantly vertical and horizontal, with crisp 90-degree corners and minimal curvature; bowls and rounds are mostly squared-off or faceted. The design shows pronounced thick–thin behavior inside several forms, often expressed as narrow inner cuts and slot-like counters rather than smooth modulation. Terminals are flat and abrupt, and many letters use rectangular apertures and stepped joins that create a rigid, engineered rhythm. Numerals follow the same boxy construction, with compact internal spaces and strong vertical emphasis.

Best suited for short text where a strong, technical voice is desired—headlines, posters, branding marks, packaging callouts, and signage. It can also work for UI labels or interface headings when a compact, engineered look is needed, especially at medium-to-large sizes where the tight counters and internal cuts remain clear.

The font projects a mechanical, industrial tone with a techno and slightly retro display character. Its rigid geometry and narrow openings feel utilitarian and schematic, giving text a controlled, authoritative presence. The squared shapes and stencil-like inner cuts also add a subtle game/arcade or sci-fi flavor without becoming decorative.

The design intention appears to be a distinctive display sans built from modular, rectilinear parts, emphasizing a machine-made aesthetic and a dense, impactful color on the page. By limiting curves and using squared counters and stepped joints, it aims to create a memorable, industrial voice while remaining fundamentally sans in construction.

Across the set, letterforms maintain consistent vertical alignment and a tight, modular spacing logic, which reinforces the gridlike appearance seen in both the glyph chart and the text sample. Some characters rely on very small counters and narrow joins, which increases density and makes the texture darker and more uniform at a glance. The overall effect is strongly architectural, prioritizing straight edges and compact interior detailing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸