Sans Contrasted Opmi 2 is a regular weight, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, packaging, techno, futuristic, angular, architectural, modular, distinctive display, futurism, modular geometry, graphic texture, experimental sans, rectilinear, geometric, stencil-like, monoline accents, sharp terminals.
A sharply rectilinear sans with a modular, constructed feel. Letterforms are built from straight stems and crisp corners, with pronounced thick–thin behavior: dominant vertical strokes carry most of the weight while horizontals and interior connections often reduce to hairline-like lines. Counters skew toward squared/rectangular shapes, and several glyphs use open or partially outlined construction that reads slightly stencil-like in places. Proportions vary noticeably by glyph (especially in the uppercase), creating an intentionally uneven, display-oriented rhythm rather than a strictly uniform system.
Best suited for headlines and short statements where its angular construction and contrast can read as a deliberate stylistic choice. It can work well in posters, branding marks, packaging, and tech-leaning visual systems, especially when set at larger sizes where the thin connections remain clear.
The overall tone is futuristic and engineered, evoking digital interfaces, sci‑fi titling, and architectural signage. Its hard angles and high-contrast striping give it a slightly experimental, edgy voice that feels more conceptual than neutral.
The design appears intended to explore a modular, rectilinear sans structure with dramatic thick–thin interplay, prioritizing a distinctive, futuristic texture over conventional text smoothness. It aims to deliver a strong graphic signature through vertical-weighted strokes, squared counters, and selectively open constructions.
The alternation between solid verticals and very light cross-strokes produces strong vertical emphasis and a flickering texture in text. Diagonals (notably in V/W/X/Y) appear heavier and more graphic, adding dynamic accents that stand out against the mostly orthogonal construction.